Monday, July 24, 2006

proposal for a revised outline

In looking back at our outline (and thinking over our last thread), I'm wondering if some planning revisions might help along our collaborative writing process. So: here's my draft of a new plan of work (focusing mostly on a first or introductory section). Please tell me what you think!

Rev'd WRT 235 article outline (in sections):

1. Introduction. Orient our article in terms of our development of the major and the redevelopment of the course. Introduce our article's attempt to contribute to the theorization of the major. Discuss our goals for this piece: thinking through the major in terms of what we're hoping to accomplish in WRT 235 and with the "environment" focus. Scale back or eliminate discussion of "symbolic analysis" work.

[1a. Begin by discussing the major historically: as proposed, approved, and being implemented. Highlight what kind of curricular thinking/theorizing this major makes possible. Compare/contrast this theorizing with what Linda and Bob did in their book. Emphasize the necessity for communication among CWP faculty members, the development of a common vision of a course, and the extension of that common vision to larger discussions about a collective vision for the major among CWPers (and among members of the field more generally?). ]

[1b. Next, discuss WRT 235 historically: its inception, its early constraints, its role as core course in our major (for multimedia writing instruction, for introduction of the portfolio), and in its role as a course undergoing redevelopment. Justify our article as a sort of writeup of the collegial work we've been doing: CWP meetings about the major, LJM meetings about WRT 235, the LJM reading group meetings, etc. ]

[1c. Discuss in detail what it means to theorize the major through this particular course and its concepts. Here's where we preview the upshot of the article. To my mind, our attempts to theorize the major through WRT 235 shouldn't merely highlight the role of technology in all writing--as a reader, that's what I'd expect from an article like ours, and I think it's a conclusion that's too easy. No: we should push ourselves to think about how the environment concept reflects our view of what it is that we're teaching our WRT 235 students and our majors more generally.]

[My view of the upshot: On one hand, we want to emphasize the teaching of rhetoric (conceived pretty traditionally) as rhetors' skillful negotiation between communicative purpose and argumentative means. On the other hand, though, we are pushing very hard on the meaning of "means,"and, hopefully, giving our students an expanded view of what is possible in electronic writing environments--environments that can seem, especially to developing writers, like fixed and immutable channels. In our major, as in WRT 235, we are teaching writers that the forums in which written communication takes place can and do change, that effecting such changes is actually at the heart of the writing/rhetoric as an art, and that writers who seek to accomplish their purpose for writing had better conceive of themselves as not only message-emitters but also as designers of the communicative environments in which their messages become legible. WRT 235 can give writers a fast introduction to such principles insofar as it is committed to electronic environments, where such changes are common and (usually relatively) easily effected. The major, on the other hand, is faced with teaching this principle (mostly) in the slow-moving and highly conservative world of print--a much tougher task. Again: my 2 cents--we can negotiate over this.]

2. A redeveloped concept for a redeveloped course: "environment." Present our sense of the concept. Distinguish it from other, similar concepts (architecture). Elaborate its meaning in terms of scholarly accounts (JJE's datacloud) and in terms of WRT 235 (how we understand ourselves teaching writing in electronic environments). Explain two WRT 235 course assignments (single topic IEDP-style discussions, Rhode Island travel wiki entries) by way of providing readers with examples of the concept in application.

3. Thinking environmentally about the major. Draw out the general teaching philosophy for rhetorical education that has developed in section 2. (Perhaps this is the moment to narrate our meeting, in which Linda helped me to see the importance of teaching something like best practice strategies for writing in electronic environments?) Discuss this philosophy in terms of the other core courses: 201, etc. Discuss this philosophy in terms of primarily electronic/online versus primarily print/document-centered courses. Summarize and conclude.

3 Comments:

Blogger jeremiah said...

Here's a version of the foregoing with some more text in the introduction:

1. Introduction. Orient our article in terms of our development of the major and the redevelopment of the course. Introduce our article's attempt to contribute to the theorization of the major. Discuss our goals for this piece: thinking through the major in terms of what we're hoping to accomplish in WRT 235 and with the "environment" focus.

With the final approval of our Bachelor of Arts program in Writing and Rhetoric in May 2006, the University of Rhode Island's faculty in Writing and Rhetoric faces the prospect of developing of a new kind of college major. During our final push for the major, the central acheivement of which was a lengthy curriculum proposal, our faculty worked together, inventing, planning, drafting, and revising our major alongside the proposal that presented it to others. In this process, we theorized a major among ourselves, using our hallway converations, e-mail exchanges, faculty meetings, and work sessions to develop shared understandings about our curriculum. This intensively collaborative, cooperative activity had its roots, however, in a history of other documents and other collaborations, some theoretical in a more explicit way.

Professors Shamoon and Schwegler's contributions to _Coming of Age: The Advanced Writing Curriculum_, to take the most obvious example, [shaped / informed / emerged from our curriculum in some determinate way--Linda?].

This article attempts to theorize neither the major nor the advanced writing curriculum, but rather, in the spirit of _Coming of Age_, a single course in particular: "Writing in Electronic Environments." [More Linda—we need a brief description of 235's genesis, relationship to the major, and current status as a course undergoing collaborative redevelopment around the concept of "environment."]

Having a major, however, means that theorizing a course—particularly a core course like WRT 235—means thinking through its relationship to the major as a whole. Thus, in this article, we do not only narrate our shared understanding of writing in electronic environments, its pedagogical implications, and how it shapes our teaching. We also narrate how our sense of writing environments can illuminate the situation, means, goals, and likely outcomes of our major.

[Insert revised abstract—Mike, do you have it? I'll work it over in light of what I've been coming up with in recent threads.]


2. A redeveloped concept for a redeveloped course: "environment." Present our sense of the concept. Distinguish it from other, similar concepts (architecture). Elaborate its meaning in terms of scholarly accounts (JJE's datacloud) and in terms of WRT 235 (how we understand ourselves teaching writing in electronic environments). Explain two WRT 235 course assignments (single topic IEDP-style discussions, Rhode Island travel wiki entries) by way of providing readers with examples of the concept in application.

3. Thinking environmentally about the major. Draw out the general teaching philosophy for rhetorical education that has developed in section 2. (Perhaps this is the moment to narrate our meeting, in which Linda helped me to see the importance of teaching something like best practice strategies for writing in electronic environments?) Discuss this philosophy in terms of the other core courses: 201, etc. Discuss this philosophy in terms of primarily electronic/online versus primarily print/document-centered courses. Summarize and conclude.

11:50 AM  
Blogger jeremiah said...

I am entranced and enlightened by your posts. Very, very stimulating! Two responses to the overall direction:

1. I agree with Jeremiah that the draft seems to be heading more toward composition journals like 4 C’s or WPA (more appropriate, I think) than toward technical writing journals. I started to think this way when I read Michael’s passage on “why environment” and then Jeremiah’s outline of the opening, especially the statement, “We should push ourselves to think about how the environment concept reflects our view of what it is that we're teaching our WRT 235 students and our majors more generally,” a thought with which I totally agree.

I personally like this direction very much. I feel I can add more to such an article and I feel it can better focus the discussion on the course being foundational for the major.

As I think back on why we made 235 a required course, wasn’t it because the course starts students working on their electronic portfolio and because it situates writing very firmly in an electronic environment in the practical sense of getting students ready for the job market (“This is what I would like our graduates to be able to do.”) I do not recall our talking more theoretically than that as a faculty. But the very terminology of electronic writing environment summons a more theorized approach to what the course offers and on what concepts it rests—as Jeremiah and I discovered when we tried to hammer out a common syllabus.

2. With this in mind, I hope the opening starts with the kind of discussion found in Jeremiah’s paragraph 1c. plus the paragraph in brackets that follows it; this is our problem statement. Then, in as brief a manner as possible, give the history of the course, focusing, perhaps, on our wrestling with “environment” as a key term. Now, in our examination of the course’s foundational place in a writing/rhetoric curriculum , we ask: What is this course’s central principle that stretches all the way through the curriculum? Why “environment”? Why is it better than a practical a preparatory approach or than the other related metaphors: IA and IE?

Linda

8:16 AM  
Blogger jeremiah said...

Focusing on the draft from the paragraph “why environment” onwards. I really appreciated the summaries of Information architecture (IA) and of Genre ecologies (GE). I sense a little bit of ambiguity about what “information environment” (IE) means for us and why it is a better alternative. So, please be patient with me as I review this line of argument as it is taking shape for me. I find I am sharpening the differences in an effort to create a clearer theoretical space for IE and a clearer sense of the “pay-off” in doing so. The following are my responses and thoughts in summary. Let me know if I am on the right track.

Why “environment”? Why is it better than a practical a preparatory approach or than the other related metaphors: IA and IE?

IA – This metaphor is useful but too writer-centered to reflect our current understanding of the social and cultural constraints on a writer’s agency. An additional thought or question?: The IA approach is, maybe, too specialized for our purposes. It is too specialized in that it (seems to be) part of the training for technical communication, or a methodology used by tech writers, which segments tech writers because they learn an expertise or way of thinking that does not seem to drive (or be widely applied) in the rest of the writing major?

GE – This metaphor is really helpful in embedding both writing with technology and technical writing in a conceptual framework familiar to contemporary compositionists and post modern rhetoricians—the unstable, mutable contexts and genres of writing that are clearly part of writing with technology and that, at the same time, constrain the writer’s agency. As it has evolved, GE invites a critical stance on the social and cultural conditions of writing, which is very helpful from a disciplinary perspective, but far too descriptive in practice, and too much interested in describing interactions than in enabling writers to function in the ecology. An additional thought or question: GE does not offer enough agency for writers, making writing pedagogy more centered on critique than on composing or rhetoric—the themes driving our curriculum?

Why IE – We still need a metaphor that fills the gap between IA and GE, one that captures the critical riches of GE and the enabling power of IA. IE seems to offer this.
Why does it offer this?

Answer:
1. It captures the interesting and useful elements in “datacloud”, which in itself suggests a concept like environment.

2. It is a concept that has particular uses in computer world: “In computing, an environment is the overall system, software, or interface in which a program runs, such as a runtime environment or environment variable, or through which a user operates the system, such as an integrated development environment in which the user develops software or a desktop environment.” In other words, environment is a concept not applied to that world, but expresses something that is happening in that world. So, for the course itself, it is naturally helpful and accurate, describing both the overall conditions and a user-developer-writer who has agency in that environment.

3. From that computer world definition, IE is a concept that fills out the conceptual area between IA and GE – “Environment” calls for a description of the parts and forces at work in a virtual or real location, and allows for change to occur in that location because of the fate or actions of an agent (user-developer-writer). Environment provides both the means to describe and to enable.

4. Environment also opens the door to purposeful communicative action –rhetoric—and the capacity to critique that action in terms of its effect on the whole system – the environment. Thus, it reaches further outward toward the major than do the other concepts.

5. Examples: The two examples of the IEDP and the travel .

6. Speculations on how this takes shape for the major beyond the course.

Linda

8:20 AM  

Post a Comment

<< Home